arRecord = new Array() arRecord[1] = new Array() arRecord[1][1] = "OceanStonehenge" // Name arRecord[1][2] = "Ocean Stonehenge" // Title arRecord[1][3] = 92 // Size - height cms - NOT in Quotes arRecord[1][4] = 122 // Size - width cms - NOT in Quotes arRecord[1][5] = "acrylic on canvas" // Medium arRecord[1][6] = "9,000" // Price arRecord[1][7] = "" // Sold arRecord[1][8] = 750 // Photo height - NOT in Quotes arRecord[1][9] = 1000 // Photo width - NOT in Quotes arRecord[1][10] = "These rocks at Mona Vale have tumbled from the cliffs above over the years. I particularly enjoyed painting the contrasts between the wild surf and the glassy wet sand." arRecord[2] = new Array() arRecord[2][1] = "StoneFires" arRecord[2][2] = "Stone Fires and Nightfalling Cockatoos II" arRecord[2][3] = 168 arRecord[2][4] = 137 arRecord[2][5] = "acrylic on canvas" arRecord[2][6] = "16,000" arRecord[2][7] = "true" arRecord[2][8] = 900 arRecord[2][9] = 735 arRecord[2][10] = "As I was painting this cliff face from above the Kangaroo River a sort of glowing coal-fire emerged which, along with the flight of the Black Cockatoos, evoked the ancient dusk campfire stories of this place." arRecord[3] = new Array() arRecord[3][1] = "TimeAndAgain" arRecord[3][2] = "Time And Again" arRecord[3][3] = 148 arRecord[3][4] = 213 arRecord[3][5] = "acrylic on canvas" arRecord[3][6] = "16,000" arRecord[3][7] = "" arRecord[3][8] = 695 arRecord[3][9] = 1000 arRecord[3][10] = "This is like a quantum view - a subject that can still be conveyed fairly clearly with multiple concurrent and mirroring viewpoints. Cubism did it by destroying traditional space but this painting creates a space which still seems real - sort of quantum photo-metaphysics. I'd like to do more in this direction as it's still a bit of a mystery to me." arRecord[4] = new Array() arRecord[4][1] = "HighlandsMuster" arRecord[4][2] = "Highlands Muster" arRecord[4][3] = 137 arRecord[4][4] = 213 arRecord[4][5] = "acrylic on canvas" arRecord[4][6] = "16,000" arRecord[4][7] = "true" arRecord[4][8] = 653 arRecord[4][9] = 1000 arRecord[4][10] = "When I was asked by a client to paint this droving scene from the Southern Highlands I accepted without hesitation because I'd never done anything like it before. Although I'm quite familair with painting mist and gum trees and morning light I normally stay clear of populating such subjects with horses, cattle and stockmen because this narrative detracts from the real subject. However it's such a time honoured tradition in Australain painting I had to give it a try." arRecord[5] = new Array() arRecord[5][1] = "BalmoralSummer" arRecord[5][2] = "Balmoral Summer" arRecord[5][3] = 122 arRecord[5][4] = 122 arRecord[5][5] = "acrylic on canvas" arRecord[5][6] = "10,000" arRecord[5][7] = "true" arRecord[5][8] = 800 arRecord[5][9] = 800 arRecord[5][10] = "Mostly on a summer's afternoon this beach is teeming with people. Having spent much of my life in wilderness I often find myself imagining such a beach as empty and therefore more inviting. It's a classic golden sand and blue harbour scene." arRecord[6] = new Array() arRecord[6][1] = "WinterContreJour" arRecord[6][2] = "The Island - Winter Contre-Jour" arRecord[6][3] = 100 arRecord[6][4] = 150 arRecord[6][5] = "acrylic on canvas" arRecord[6][6] = "9,000" arRecord[6][7] = "true" arRecord[6][8] = 601 arRecord[6][9] = 900 arRecord[6][10] = "The low sun in clear cold skies makes the harbour sparkle for much longer each winter day. Although the air's too clear for the typical european contre-jour haze there is a sort of central glow to this painting." arRecord[7] = new Array() arRecord[7][1] = "BalmoralSilver" arRecord[7][2] = "Balmoral Silver" arRecord[7][3] = 122 arRecord[7][4] = 122 arRecord[7][5] = "acrylic on canvas" arRecord[7][6] = "10,000" arRecord[7][7] = "true" arRecord[7][8] = 800 arRecord[7][9] = 800 arRecord[7][10] = "I've painted this beach so many times but this is possibly my favourite - partly because it's a long way from the cliched golden beach. This was such a bleak and wet and cold and uninviting day but for some reason it's rich and wild and romantic and strong and colourful..." arRecord[8] = new Array() arRecord[8][1] = "WinterShadows" arRecord[8][2] = "Winter Shadows - Barrenjoey" arRecord[8][3] = 107 arRecord[8][4] = 137 arRecord[8][5] = "acrylic on canvas" arRecord[8][6] = "10,000" arRecord[8][7] = "" arRecord[8][8] = 703 arRecord[8][9] = 900 arRecord[8][10] = "This is the north end of Palm Beach where even in mid winter it's so sheltered from the prevailing north-easterlies that you can go sunbaking (just like Summer Bay...). The last afternoon sun creates great clear light in this corner." arRecord[9] = new Array() arRecord[9][1] = "EmptySilver" arRecord[9][2] = "Empty Silver" arRecord[9][3] = 137 arRecord[9][4] = 183 arRecord[9][5] = "acrylic on canvas" arRecord[9][6] = "15,000" arRecord[9][7] = "true" arRecord[9][8] = 753 arRecord[9][9] = 1000 arRecord[9][10] = "A soft silver coloured painting that's got sky and sand and water all mixed up in one large flat expanse. This is a painting that gives only occasional clues over the surface as to what the subject actually is. Some would call this abstraction but I prefer to think of it as a bit like Count Basie saying the real music is what's between the notes." arRecord[10] = new Array() arRecord[10][1] = "ThePoolAtMidday" arRecord[10][2] = "The Pool At Midday" arRecord[10][3] = 92 arRecord[10][4] = 92 arRecord[10][5] = "acrylic on canvas" arRecord[10][6] = "6,000" arRecord[10][7] = "" arRecord[10][8] = 800 arRecord[10][9] = 800 arRecord[10][10] = "I started this painting by creating the green bronze/mossy texture first and then picking out sunlit highlights to show rocks and trees. Later I painted the water. The subject is the contrast between what's ouside the canopy - the intensely lit clearing at the top - and the what's inside - the muted cool dappled darkness." arRecord[11] = new Array() arRecord[11][1] = "ShadowDancers" arRecord[11][2] = "Shadow Dancers" arRecord[11][3] = 51 arRecord[11][4] = 76 arRecord[11][5] = "acrylic on canvas" arRecord[11][6] = "4,000" arRecord[11][7] = "" arRecord[11][8] = 537 arRecord[11][9] = 800 arRecord[11][10] = "Roberts, Heyson, Namatjira, Whiteley and many others have made the eucalypt an icon of Australian painting. This is a study of the range and complexities of shadows dancing on slowly moving smooth skin." arRecord[12] = new Array() arRecord[12][1] = "MorningAtNelliesGlen" arRecord[12][2] = "Morning At Nellies Glen" arRecord[12][3] = 92 arRecord[12][4] = 84 arRecord[12][5] = "acrylic on canvas" arRecord[12][6] = "5,000" arRecord[12][7] = "" arRecord[12][8] = 800 arRecord[12][9] = 739 arRecord[12][10] = "Painted on site over a couple of cold mornings in the Southern Highlands. The choice of subject, the mistiness and muted colour and the style of the trees owe a lot to the 18th Century European Romantic tradition." arRecord[13] = new Array() arRecord[13][1] = "ThePavilionSteps" arRecord[13][2] = "The Pavilion Steps" arRecord[13][3] = 76 arRecord[13][4] = 76 arRecord[13][5] = "acrylic on canvas" arRecord[13][6] = "4,500" arRecord[13][7] = "true" arRecord[13][8] = 800 arRecord[13][9] = 800 arRecord[13][10] = "This is a sort of pair to The Bridge At Dusk - the strange emptiness of the beach becomes even more accentuated late at night." arRecord[14] = new Array() arRecord[14][1] = "TheBay" arRecord[14][2] = "The Bay" arRecord[14][3] = 44 arRecord[14][4] = 44 arRecord[14][5] = "acrylic on canvas" arRecord[14][6] = "3,900" arRecord[14][7] = "true" arRecord[14][8] = 750 arRecord[14][9] = 750 arRecord[14][10] = "Another simpler study from Balmoral (more accurately Edwards Beach) working with the intense colours of shadows on sand." arRecord[15] = new Array() arRecord[15][1] = "TheBridgeAtDusk" arRecord[15][2] = "The Bridge At Dusk" arRecord[15][3] = 76 arRecord[15][4] = 76 arRecord[15][5] = "acrylic on canvas" arRecord[15][6] = "4,500" arRecord[15][7] = "true" arRecord[15][8] = 800 arRecord[15][9] = 800 arRecord[15][10] = "I rarely include man-made objects as anything but incidental to a painting. But I've painted this bridge so many times now I felt it deserved a more central role - particularly because the nocturnal light makes for an interesting staged effect." arRecord[16] = new Array() arRecord[16][1] = "AWarmCornerBalmoral" arRecord[16][2] = "A Warm Corner Balmoral" arRecord[16][3] = 61 arRecord[16][4] = 92 arRecord[16][5] = "acrylic on canvas" arRecord[16][6] = "4,000" arRecord[16][7] = "true" arRecord[16][8] = 546 arRecord[16][9] = 850 arRecord[16][10] = "In mid-winter, when the colours are clearest, this corner of Balmoral Beach is one of the most sheltered and warmest places in Sydney." arRecord[17] = new Array() arRecord[17][1] = "TowardsGrottoPoint" arRecord[17][2] = "Towards Grotto Point" arRecord[17][3] = 46 arRecord[17][4] = 92 arRecord[17][5] = "acrylic on canvas" arRecord[17][6] = "3,000" arRecord[17][7] = "" arRecord[17][8] = 426 arRecord[17][9] = 850 arRecord[17][10] = "A very horizontal composition relying heavily on the "Foreground, Middleground, Background" divisions which are seen in almost all landscape painting. I may add some dappled sunlight onto the stone wall, having observed this on a recent visit." arRecord[18] = new Array() arRecord[18][1] = "LittoralShadows" arRecord[18][2] = "Littoral Shadows" arRecord[18][3] = 75 arRecord[18][4] = 100 arRecord[18][5] = "acrylic on canvas" arRecord[18][6] = "4,500" arRecord[18][7] = "true" arRecord[18][8] = 665 arRecord[18][9] = 900 arRecord[18][10] = "A study in contrasts - colour, texture, shade and movement. This is from a beach on Philip Island in Victoria. I sort of stumbled on the way to paint the shallow water effects and that always makes a painting more enjoyable. " arRecord[19] = new Array() arRecord[19][1] = "Badangi" arRecord[19][2] = "Badangi" arRecord[19][3] = 30 arRecord[19][4] = 30 arRecord[19][5] = "acrylic on canvas on board" arRecord[19][6] = "1,800" arRecord[19][7] = "" arRecord[19][8] = 700 arRecord[19][9] = 700 arRecord[19][10] = "Painted on a very grey day - it's strange how in that light all your paint colours look much stronger on site because your eyes are so used to the dimness. When I got this one back to the studio I had to strengthen the colour a lot." arRecord[20] = new Array() arRecord[20][1] = "BerrysCreekII" arRecord[20][2] = "Berrys Creek II" arRecord[20][3] = 40 arRecord[20][4] = 50 arRecord[20][5] = "acrylic on canvas" arRecord[20][6] = "2,500" arRecord[20][7] = "true" arRecord[20][8] = 600 arRecord[20][9] = 749 arRecord[20][10] = "A rich coloured little study of emerging sunlight on sandstone and bush and water. This was painted on site 10 minutes walk from home." arRecord[21] = new Array() arRecord[21][1] = "BerrysBayAfterFire" arRecord[21][2] = "Berry's Bay After Fire" arRecord[21][3] = 30 arRecord[21][4] = 40 arRecord[21][5] = "acrylic on canvas on board" arRecord[21][6] = "1,900" arRecord[21][7] = "true" arRecord[21][8] = 600 arRecord[21][9] = 800 arRecord[21][10] = "The bush after fire is always more spacious and full of contrasts - this was painted on an early summer afternoon after a spring burn-off. The subject is mainly the contrast between the blue-purple contre-jour haze to the west and the dry burnt silhouetted foreground." arRecord[22] = new Array() arRecord[22][1] = "ShadowTide" arRecord[22][2] = "Shadow Tide" arRecord[22][3] = 61 arRecord[22][4] = 51 arRecord[22][5] = "acrylic on canvas" arRecord[22][6] = "3,000" arRecord[22][7] = "true" arRecord[22][8] = 800 arRecord[22][9] = 667 arRecord[22][10] = "A study of afternoon shadows on a tiny beach between rocks with the incoming tide. The focus here is the blue foam in the sharply edged shadows." arRecord[23] = new Array() arRecord[23][1] = "ShellyBeach" arRecord[23][2] = "Shelley Beach" arRecord[23][3] = 61 arRecord[23][4] = 51 arRecord[23][5] = "acrylic on canvas" arRecord[23][6] = "3,000" arRecord[23][7] = "true" arRecord[23][8] = 800 arRecord[23][9] = 667 arRecord[23][10] = "Sandstone and deep blue water and a clear golden beach - a very Sydney subject." arRecord[24] = new Array() arRecord[24][1] = "SandTide" arRecord[24][2] = "Sand Tide" arRecord[24][3] = 61 arRecord[24][4] = 51 arRecord[24][5] = "acrylic on canvas" arRecord[24][6] = "3,000" arRecord[24][7] = "" arRecord[24][8] = 800 arRecord[24][9] = 667 arRecord[24][10] = "Painted from above the rocks shown in the background of the previous painting "Shelly Beach". Flattened compositions like this accentuate the open and empty quality of beaches which is a large part of my attraction to them as a subject." arRecord[25] = new Array() arRecord[25][1] = "WinterSunI" arRecord[25][2] = "Winter Sun I" arRecord[25][3] = 51 arRecord[25][4] = 51 arRecord[25][5] = "acrylic on canvas" arRecord[25][6] = "2,800" arRecord[25][7] = "true" arRecord[25][8] = 750 arRecord[25][9] = 750 arRecord[25][10] = "One of a pair of more intimate studies of the waterline. The other is "Winter Sun II". They both have clear sunlight, transparent water and wet sand as the central topic." arRecord[26] = new Array() arRecord[26][1] = "BlueWavesAtDawn" arRecord[26][2] = "Blue Waves At Dawn" arRecord[26][3] = 76 arRecord[26][4] = 61 arRecord[26][5] = "watercolour and acrylic on paper on canvas" arRecord[26][6] = "2,000" arRecord[26][7] = "true" arRecord[26][8] = 800 arRecord[26][9] = 643 arRecord[26][10] = "From a cold wet night clearing at dawn. This obviously had to be reconstructed from photos (several were used) in the studio later. Such a subject is way too fleeting to attempt otherwise - just the long drying times alone make it impossible." arRecord[27] = new Array() arRecord[27][1] = "WinterSunII" arRecord[27][2] = "Winter Sun II" arRecord[27][3] = 51 arRecord[27][4] = 51 arRecord[27][5] = "acrylic on canvas" arRecord[27][6] = "2,800" arRecord[27][7] = "true" arRecord[27][8] = 750 arRecord[27][9] = 750 arRecord[27][10] = "The second of 2 intimate waterline studies. The clarity of colour in Winter seems to be a lot more pronounced. But is this just an emotional response because we see so much less of it?" arRecord[28] = new Array() arRecord[28][1] = "1amSandstone" arRecord[28][2] = "Nocturne III - 1a.m. Sandstone" arRecord[28][3] = 40 arRecord[28][4] = 50 arRecord[28][5] = "acrylic on canvas" arRecord[28][6] = "2,500" arRecord[28][7] = "" arRecord[28][8] = 630 arRecord[28][9] = 800 arRecord[28][10] = "On Cockatoo Island many of the large naval buildings have been demolished to reveal a huge sandstone cliff which is illuminated all night - some day it'll be shut down to conserve energy - until then the cliffs achieve a dominant beauty not seen by daylight." arRecord[29] = new Array() arRecord[29][1] = "TheFerryWharf" arRecord[29][2] = "Nocturne I - The Ferry Wharf" arRecord[29][3] = 50 arRecord[29][4] = 40 arRecord[29][5] = "acrylic on canvas" arRecord[29][6] = "2,500" arRecord[29][7] = "" arRecord[29][8] = 800 arRecord[29][9] = 633 arRecord[29][10] = "Sandstone, water and stars by flourescent light - nocturnes take on a sort of stagelit effect." arRecord[30] = new Array() arRecord[30][1] = "FromTheFerry" arRecord[30][2] = "Nocturne II - From The Ferry" arRecord[30][3] = 40 arRecord[30][4] = 50 arRecord[30][5] = "acrylic on canvas" arRecord[30][6] = "2,500" arRecord[30][7] = "true" arRecord[30][8] = 621 arRecord[30][9] = 800 arRecord[30][10] = "A quiet study of night water patterns at Greenwich Wharf." arRecord[31] = new Array() arRecord[31][1] = "IntoTheValleyI" arRecord[31][2] = "Into The Valley I" arRecord[31][3] = 51 arRecord[31][4] = 51 arRecord[31][5] = "watercolour and acrylic on paper on canvas" arRecord[31][6] = "1,800" arRecord[31][7] = "true" arRecord[31][8] = 750 arRecord[31][9] = 750 arRecord[31][10] = "The great attraction with a misty subject like this is being able to aimlessly drift off entire sandstone cliffs and forests into nothingness. It's a sort of radical destruction of the logical world and it's also what attracted Monet to paint lilyponds." arRecord[32] = new Array() arRecord[32][1] = "NorthernEstuary" arRecord[32][2] = "Northern Estuary" arRecord[32][3] = 61 arRecord[32][4] = 51 arRecord[32][5] = "watercolour and acrylic on paper on canvas" arRecord[32][6] = "2,000" arRecord[32][7] = "" arRecord[32][8] = 800 arRecord[32][9] = 669 arRecord[32][10] = "Watercolour is not my normally chosen language - you have to think backwards from what you do as an "opaque" painter. You also have to be very accurate with your highlights because they have to be left as base paper." arRecord[33] = new Array() arRecord[33][1] = "IntoTheValleyII" arRecord[33][2] = "Into The Valley II" arRecord[33][3] = 51 arRecord[33][4] = 51 arRecord[33][5] = "watercolour and acrylic on paper on canvas" arRecord[33][6] = "1,800" arRecord[33][7] = "true" arRecord[33][8] = 750 arRecord[33][9] = 750 arRecord[33][10] = "The deep chasms of Kangaroo Valley in the late afternoon - a subject full of contrasts." arRecord[34] = new Array() arRecord[34][1] = "Creation2" arRecord[34][2] = "Creation 2 (From The Pool Of Stars)" arRecord[34][3] = 122 arRecord[34][4] = 112 arRecord[34][5] = "acrylic on canvas" arRecord[34][6] = "9,500" arRecord[34][7] = "true" arRecord[34][8] = 800 arRecord[34][9] = 735 arRecord[34][10] = "From the deep indigo of night emerge stars and stones. In the bush a water pool is the primordial centre of existence - the mother of life and light." arRecord[35] = new Array() arRecord[35][1] = "Creation3" arRecord[35][2] = "Creation 3 (From Fire And Falling Mist)" arRecord[35][3] = 122 arRecord[35][4] = 122 arRecord[35][5] = "acrylic on canvas" arRecord[35][6] = "10,000" arRecord[35][7] = "true" arRecord[35][8] = 800 arRecord[35][9] = 800 arRecord[35][10] = "The Australian bush after fire invokes an image of the hope of regrowth over the skeletal remains of the earth. I added the falling smoke/mist progression to accentuate the timelessness of this process." arRecord[36] = new Array() arRecord[36][1] = "Creation4" arRecord[36][2] = "Creation 4 (From The Valley Thermals)" arRecord[36][3] = 122 arRecord[36][4] = 122 arRecord[36][5] = "acrylic on canvas" arRecord[36][6] = "10,000" arRecord[36][7] = "" arRecord[36][8] = 800 arRecord[36][9] = 800 arRecord[36][10] = "The Eastern coastal plains have the richest concentration of humidity and therefore life - in high contrast to the deserts of the interior. Here I have envisioned this primordial humidity as a sort of mirage/mandala." arRecord[37] = new Array() arRecord[37][1] = "Creation5" arRecord[37][2] = "Creation 5 (In A Time Between Oceans)" arRecord[37][3] = 137 arRecord[37][4] = 137 arRecord[37][5] = "acrylic on canvas" arRecord[37][6] = "12,000" arRecord[37][7] = "" arRecord[37][8] = 850 arRecord[37][9] = 850 arRecord[37][10] = "This painting comes from an area quite close to where I live which was heavily used by the Cammeraygal people for millennia before white settlement, as evidenced by large middens nearby and faintly suggested rock engravings in the painting. I have broadened this timeframe to show that this has all happened in a time between oceans - millions of years in the past and perhaps not so far in the future." arRecord[38] = new Array() arRecord[38][1] = "Creation6" arRecord[38][2] = "Creation 6 (Night Falls At Badangi)" arRecord[38][3] = 92 arRecord[38][4] = 92 arRecord[38][5] = "acrylic on canvas" arRecord[38][6] = "5,000" arRecord[38][7] = "true" arRecord[38][8] = 750 arRecord[38][9] = 750 arRecord[38][10] = "A simple poetic work showing night falling with an echo of stars falling. This image like many others on this page was something that fell into my mind out of nowhere while onsite researching for a painting. I have often found that those things which come from nowhere and therefore go nowhere are very closely connected to a purer form of reality." arRecord[39] = new Array() arRecord[39][1] = "Creation7" arRecord[39][2] = "Creation 7 (A Day Between The Stars And Dawn)" arRecord[39][3] = 137 arRecord[39][4] = 137 arRecord[39][5] = "acrylic on canvas" arRecord[39][6] = "12,000" arRecord[39][7] = "true" arRecord[39][8] = 850 arRecord[39][9] = 850 arRecord[39][10] = "This is a painting about revelation - in the middle of darkness, even before dawn comes the first flash of daylight. It's like a vision of the Reason of Apollo in the primordial darkness." arRecord[40] = new Array() arRecord[40][1] = "Creation8" arRecord[40][2] = "Creation 8 (A Land Between Fire And Water)" arRecord[40][3] = 120 arRecord[40][4] = 180 arRecord[40][5] = "acrylic on canvas" arRecord[40][6] = "14,000" arRecord[40][7] = "" arRecord[40][8] = 667 arRecord[40][9] = 1000 arRecord[40][10] = "In many ways we see our life has emerged on earth from a time of fire and volcanoes. And we find ourselves now on islands surrounded by oceans. For the fire I used a device I have often used in the past - the light of a reflected sunset on trees - for some reason the composition looked better with this section on its side." arRecord[41] = new Array() arRecord[41][1] = "LakeMemories" arRecord[41][2] = "Lake Memories (Serpent in Paradise)" arRecord[41][3] = 122 arRecord[41][4] = 183 arRecord[41][5] = "acrylic on canvas" arRecord[41][6] = "14,000" arRecord[41][7] = "" arRecord[41][8] = 653 arRecord[41][9] = 1000 arRecord[41][10] = "In a garden beside an ancient lake I found huge pythons sleeping in a glass-topped box with the reflection of the trees interacting with the sunlit patterns of their skin. It was a hypnotic and watery image which also invoked the story of Genesis and the Expulsion (ancient painting themes) - I had to see what I could do with it." arRecord[42] = new Array() arRecord[42][1] = "ArckaringaApolloDreams" arRecord[42][2] = "Creation 9 (Arckaringa - Apollo Dreams Of His Forbidden Birth)" arRecord[42][3] = 120 arRecord[42][4] = 180 arRecord[42][5] = "acrylic on canvas" arRecord[42][6] = "14,000" arRecord[42][7] = "" arRecord[42][8] = 667 arRecord[42][9] = 1000 arRecord[42][10] = "This painting started as a seascape dawn as a symbol of the birth of day and therefore of Apollo. Somehow it developed into a sort of desert dream in the cosmos. Like Apollo it came from nowhere." arRecord[43] = new Array() arRecord[43][1] = "" arRecord[43][2] = "" arRecord[43][3] = 51 arRecord[43][4] = 51 arRecord[43][5] = "acrylic on canvas" arRecord[43][6] = "1,800" arRecord[43][7] = "" arRecord[43][8] = 750 arRecord[43][9] = 750 arRecord[43][10] = "" arRecord[44] = new Array() arRecord[44][1] = "" arRecord[44][2] = "" arRecord[44][3] = 122 arRecord[44][4] = 112 arRecord[44][5] = "acrylic on canvas" arRecord[44][6] = "9,500" arRecord[44][7] = "true" arRecord[44][8] = 800 arRecord[44][9] = 735 arRecord[44][10] = "" arRecord[45] = new Array() arRecord[45][1] = "" arRecord[45][2] = "" arRecord[45][3] = 122 arRecord[45][4] = 122 arRecord[45][5] = "acrylic on canvas" arRecord[45][6] = "10,000" arRecord[45][7] = "true" arRecord[45][8] = 800 arRecord[45][9] = 800 arRecord[45][10] = "" arRecord[46] = new Array() arRecord[46][1] = "" arRecord[46][2] = "" arRecord[46][3] = 122 arRecord[46][4] = 122 arRecord[46][5] = "acrylic on canvas" arRecord[46][6] = "10,000" arRecord[46][7] = "" arRecord[46][8] = 800 arRecord[46][9] = 800 arRecord[46][10] = "" arRecord[47] = new Array() arRecord[47][1] = "" arRecord[47][2] = "" arRecord[47][3] = 137 arRecord[47][4] = 137 arRecord[47][5] = "acrylic on canvas" arRecord[47][6] = "12,000" arRecord[47][7] = "" arRecord[47][8] = 850 arRecord[47][9] = 850 arRecord[47][10] = "" arRecord[48] = new Array() arRecord[48][1] = "" arRecord[48][2] = "" arRecord[48][3] = 92 arRecord[48][4] = 92 arRecord[48][5] = "acrylic on canvas" arRecord[48][6] = "5,000" arRecord[48][7] = "true" arRecord[48][8] = 750 arRecord[48][9] = 750 arRecord[48][10] = "" arRecord[49] = new Array() arRecord[49][1] = "" arRecord[49][2] = "" arRecord[49][3] = 137 arRecord[49][4] = 137 arRecord[49][5] = "acrylic on canvas" arRecord[49][6] = "12,000" arRecord[49][7] = "true" arRecord[49][8] = 850 arRecord[49][9] = 850 arRecord[49][10] = "" arRecord[50] = new Array() arRecord[50][1] = "" arRecord[50][2] = "" arRecord[50][3] = 120 arRecord[50][4] = 180 arRecord[50][5] = "acrylic on canvas" arRecord[50][6] = "14,000" arRecord[50][7] = "" arRecord[50][8] = 667 arRecord[50][9] = 1000 arRecord[50][10] = ""